![]() |
|||||||||||||||||||||||||||||||
|
My next gig is:
April 4: (solo) Hollywood Casino - Shakers Martini Bar (Bay St. Louis, MS) April 9: (12-90 full band) Nate's Sports Bar & Grill (Gulfport, MS) April 10-12: (12-90 full band) Hard Rock Biloxi - Center Bar (Biloxi, MS) April 24-26: (12-90 full band) Hard Rock Biloxi - Center Bar (Biloxi, MS) May 8-10: (12-90 full band) Hard Rock Biloxi - Center Bar (Biloxi, MS) May 30: (solo) The Julep Room (Ocean Springs, MS) June 12-14: (12-90 full band) Hard Rock Biloxi - Center Bar (Biloxi, MS) June 19-21: (12-90 full band) Hard Rock Biloxi - Center Bar (Biloxi, MS) |
|||||||||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||||||||
| Like many other kids growing up, I had my arm twisted from an early age to take piano lessons. From the tender age of 8, I learned the works of Beethoven, Brahms, Mozart, and many other classical masters. However, being dragged out of the school classroom to perform at piano recitals was not my idea of the coolest excuse for being absent. The effects of puberty had me yearning for a more "Macho" instrument of musical expression. My choice? DRUMS!!! By the age of 15, piano had worn thin, and after butting heads with parents and music teachers, I did the rebellious thing and bought a sinister black 7-piece drum kit. I had recently gone to my first rock concert, and had fallen under the spell of drums. The 3-piece band Rush had just played at the Jackson Coliseum on their Grace Under Pressure tour, and Neil Peart's incredible rhythm had me spellbound. I immediately went out and bought all the casettes and albums (albums?) I could find, and memorized every beat in every song. Unfortunately, drum kits are fairly loud by nature, and the imminent arrival of my youngest sister, Molly, rapidly extinguished any hopes of becoming a drummer, and the guitar ultimately found its way to my hands. | |||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||
| A Star is Born... (yeah, right)
I had received a guitar for Christmas when I was 12, but the difficulty with getting my hands around the neck and the trauma of the piano kept me at bay. It wasn't until I was forced to get rid of my drum kit that I began any real attempts at playing the thing. At first, I would simply tune the strings to the notes that I wanted, and then simply plucked the stings. I slowly began fretting notes, and before long, I figured out my basic chords. I was then merrily playing whatever I wanted, and was fairly content playing guitar for fun, just for my own leisure. Dude, lose the tube socks... |
|||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||
| Age 2 with Dad's guitar. | |||||||||||||||||||||||||||||||
| By my senior year in college, I had met enough people that shared similar interests in music with me that word had gotten around that I could hold my own playing guitar. I was invited to join a group of guys that were fairly local in a band called Santa Fe, and we began rehearsing shortly after I graduated and began working full-time in Louisville, Mississippi. Thus began my career as a travelling minstrel. It also opened up a wide door of social opportunity that I had been hitherto unaware of. In the immortal words of John Cougar Mellencamp, forget all about that macho s#%t and learn how to play guitar! Yeah baby... | |||||||||||||||||||||||||||||||
| A solid year of playing local bars and parties got us a pretty good reputation, and we became a fairly tight group. We had begun as a cover band playing typical Southern rock, rock, and country songs, whatever got the people moving. At the same time we were getting started, some friends of ours from Philadelphia, Mississippi, had received a record deal with Liberty Records, and had just released their first CD and video. Pearl River came out in 1994 with their CD, "Find Out What's Happening," and we eagerly charted their progress. We were able to be their opening act on the several occasions that they came back home to Mississippi to perform. We were also able to meet their then 17-year old T-shirt salesman, Bryan White. I can remember Bryan getting up on stage at Mulligan's here in Starkville singing Steve Wariner's song, "Linda." The opportunity to perform with Pearl River got us noticed by Bryan's and Pearl River's manager, Marty Gamblin. Marty invited us to Nashville to showcase for The Clif Doyal Agency, who had recently gotten Little Texas signed to Warner Bros. Records, and were looking for another act to book. Our successful showcase found me leaving my new job, embarking on a full-time career in a "no guarantees" occupation. What a long, strange trip... | |||||||||||||||||||||||||||||||
| Our first 6 months were an indoctrination into the ways of the road, and it began to separate the men from the boys. The lead singer, Michael Fedrick, and I found ourselves carrying the majority of the load, and it wasn't long before we had earmarked musicians that we wanted to be a part of our newly named group, Southfire. By January 1995, we had reorganized the group and embarked on a 5-month tour across the country. By the time we returned home that May, we had introduced guitarist James Edwards and bassist Paul Zettler in addition to our great, funky ragtime keyboardist, Danny McGregory, as well as Marcus Pickel on the drums. We were all scattered hither-and-yon across the fair state of Mississippi, but knew the first time we all played together that we had something special. We had finally found the group. | |||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||||||||||||||||||||||||||
| Our travels on the road took us from Ft. Lauderdale, Florida, to Las Vegas, Nevada, and virtually every stop along I-40 between Nashville and Flagstaff. The following is a list of clubs we played: | |||||||||||||||||||||||||||||||
| Red Roper -Fayetteville, NC Red Roper -Clarksville, TN Douglas Corner -Nashville, TN The Wildhorse Saloon -Nashville, TN Kerrigan's -Lyons, GA Cowboy Nights -W. Palm Beach, FL Western Connection -Ft. Lauderdale, FL Little Texas -Richmond, VA Casino St. Charles -St. Louis, MO Tulsa City Limits -Tulsa, OK Cowboy's -Dallas, TX The Caravan -Amarillo, TX The Caravan West -Albequerque, NM The Shalimar -Gallup, NM The Zoo -Flagstaff, AZ Toolie's -Phoenix, AZ Boulder Station Casino -Las Vegas, NV Boomtown Casino -Mesquite, NV |
|||||||||||||||||||||||||||||||
| Mulligan's -Starkville, MS Rick's Cafe Americain -Starkville, MS Dave's Dark Horse Tavern -Starkville, MS Classix -Columbus, MS AJ's -Mile marker 131, Carthage, MS High Tymes -Kosciuscko, MS The Speedway -Kosciuscko, MS Bebob's -DeKalb, MS The Longhorn -Meridian, MS The Neshoba County Fair -Philadelphia, MS Lady Luck Casino -Lula, MS Lady Luck Casino -Natchez,MS Lady Luck Casino -Biloxi, MS Silver Star Casino -Philadelphia, MS Las Vegas Casino -Greenville, MS Boomtown Casino -Biloxi, MS Rodeo's -Jackson, MS Red Roper -Ft. Smith, AR |
|||||||||||||||||||||||||||||||
| I'm sure a few have slipped my mind, and we wound up in most of these places on several different occasions. | |||||||||||||||||||||||||||||||
| Playing on the road got us a good bit of exposure, and we ran into alot of helpful people on the way. We met Freddie May of Starpath Productions while playing at The Wildhorse Saloon in Nashville. Freddie soon became instrumental in getting us in front of the right people. By the spring of 1996, we had enough original material together that we felt confident enough to begin showcasing for major record labels. A&M Records/Nashville was one of the labels most interested. In March 1996, we cut a 14-song CD at The Tracking Station, located in the United Artist's Tower on Music Square West. We were especially proud of the fact that ALL of our songs were recorded by us, without the help of any outside studio musicians. It was decided that the first single to be released was an original song written by some fellow Mississippians, entitled Slow Down (in a Small Town.) | |||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
||||||||||||||||||||||||||||
| Things were beginning to look promising. In May, we were the opening act for David Ball, Bryan White and Shenandoah at Brandon Day in Brandon, Mississippi. During our performance, we had a film crew recording live concert footage that was to be used in the video for "Slow Down." We were definitely in good spirits. | |||||||||||||||||||||||||||||||
| Ahh, but all was not well in paradise. Just when things seem to be coming together, they can unravel. We were told that we would be given a "singles deal," which in music-speak means that the label will release one song, and depending on that song's success/failure, the CD would either be released or canned. We had been given a radio release date in October, but things at A&M were not looking very good. They were relative newcomers to the country scene, and had yet to have a major success. Some of their other artists were Chely Wright, Fourrunner, and Toby Keith. They were fairly successful, but no grand-slammers. It seemed that we were enough of a risk to either hit it big or fall on our faces. Unfortunately, we never got our chance. A&M's parent division, Polygram/London, yanked their cord in late September 1996, and we were rather unceremoniously tossed into the scrap heap to suffer a slow and painful death.
Record labels just don't shut their doors, and A&M's demise sent shockwaves through Nashville. All the other labels began clearing their rosters, and getting signed to a label became a difficult task for any kind of new talent. We continued to showcase for other labels including Warner Bros., MCA, and Curb, but it seemed that the timing was just not right. Frustration set in, and Southfire gigged its last in July of 1997. After that, I split my time with bands on a completely different bent. In October 1999, I re-united with Michael, Michael's brother Marty, and Danny in a band known as Groove Bucket. Throughout the year we gigged virtually all over the Mississippi Delta, gaining a large and loyal following and a reputation as a party band. Check out some of the party pics and see who was groovin' with us. As of the beginning of the Fall school semester (2000), I relegated my Groove position to brother Simon Williams, who continues to lay down the funk. Uncle Sideshow was another group of incredibly talented musicians from Nashville that have become great friends of mine, and I was lucky to sit in and play whenever they were in town, and I made several trips to TN to add to their musical mix. Uncle Sideshow recorded a major 4-song demo in October 2001 at Emerald Studios in Nashville with veteran producer Jim Cotten (Grateful Dead, Dr. Hook, etc.) at the controls, and that ball continues to gain momentum. I was lucky enough to get my 2 cents in, and sang back-up vocals on 2 of the tracks. Unfortunately, the brass ring eluded them as well, and it wasn't too long before the split up to persue individual interests, although all the guys are all still playing in one form or another. As for me, I started gigging again regularly in 2002, putting together a 3-man band here in town, doing all kinds of stuff acoustically in a group called Curious George. I played 12-string and 6-string acoustic, occasional lap steel, and sang; Jamie Blanton was on 6-string guitar and sang; and Walton Jones was on piano, mandolin, lap steel, and rounded out the vocals. After Jamie graduated from MSU in the summer of 2002 and moved to Baton Rouge, I started doing a 1-man show. Things really picked up, and I was gigging virtually every weekend between Starkville, Columbus, and Tupelo for 2 years straight. After getting married and having my son JT born in 2005, I went into semi-retirement as I adjusted to life as a family man. Now that things have somewhat settled here in our new life in Ocean Springs, I've jump-started the music bus it's beginning to take on a life of it's own. I've played regularly at VIBE, one of the restaurants at the Hard Rock Biloxi, since December 2007. Jamie and Walton have joined me for a few gigs as a 2-man and 3-man show. In March 2008. I formed the band 12-90 with Jamie on lead guitar and former Uncle Sideshow members Carl Shankle on bass and Eric DiNenna on dums. We'll start gigging ath the Center Bar at the Hard Rock Biloxi in April, so stay tuned... |
|||||||||||||||||||||||||||||||